«Esistere così come dipingere». Deleuze con Burri

نویسندگان

چکیده

The article aims to establish a theoretical dialogue between the work of Alberto Burri, one most influential Italian artists 20th century, and late aesthetics Gilles Deleuze. By drawing on concept image outlined by Deleuze in Exhausted (1992), Burri’s art is conceptualized as unfolding dimension pure sense that singularizes forms rather than identifying bodies signs. This ontological “purity” comes from deep engagement with matter, considered plurality material potencies. In conclusion, proposes an original understanding pre-symbolic zone collapse.

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ژورنال

عنوان ژورنال: Itinera

سال: 2023

ISSN: ['2039-9251']

DOI: https://doi.org/10.54103/2039-9251/19761